60-year-old Wen Bixia participated in the event, and her collar was so irritating that she was stunned. She pulled her collar many times on stage and was stared at.

Have you ever encountered this situation: the clothes are obviously very beautiful, but when the wrong occasion comes, you start to feel uncomfortable? This time Wen Bixia attended the memorial screening of her old partner Wu Ma. She wore a low-cut dress and frequently pulled the collar, which sparked controversy immediately.

But this really can’t be as simple as “daring to wear it” or “wanting to attract attention”. The most obvious label on her, starting from “Su Daji” in the 2001 version of “The Legend of the Gods”, has always been “bright, sexy, and strong in memory.” In recent years, whether it is “Fire Rose” or various commercial endorsements, she has long been accustomed to being seen by her camera sense and dazzling looks. To put it bluntly, this is not a habit developed in one day, but a “body memory” slowly honed by decades of business exposure logic.

The problem lies here too. Personal style can be magnified on the red carpet, but in such occasions as memorial services and screenings, the emphasis is on restraint, propriety, and not overly stealing the spotlight. Wen Bixia held the microphone to cover her chest and kept adjusting her collar. The feeling of embarrassment was very obvious. Many people will find it “unnatural” when they see it, but if you think about it carefully, it is more like a person who has been in the business vanity fair for a long time, and suddenly stood in a scene where he needed to walk away and stand quietly, and he was unable to change his inertia all of a sudden.

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This kind of contrast is actually particularly easy for ordinary people to empathize with. In the workplace, who has never encountered the situation of “dressing too formally makes you uncomfortable” or “thinking that your style suits you, but it doesn’t feel right when it comes to a certain occasion”? Some clothes are an advantage in the camera, but may become a burden in a serious environment. It’s not difficult to look decent on the outside. What’s difficult is knowing when to shine and when to hold back.

It is precisely because of this that what is really worth looking at in Wen Bixia’s controversy this time is the three words “sense of occasion”. It’s not that the freedom to dress is not important, but freedom never equals freedom from propriety. For example, Weng Hong and Liang Cheng chose plain skirts and plain clothes for similar memorial occasions, which gave people a very stable feeling, and their emotions were drawn inward, so that the atmosphere of the scene would not be taken away by their personal styles. This difference is not a matter of whether it looks good or not, but whether it can be consistent with the occasion.

Many times, when a person reaches a certain stage, the most difficult thing to change is not the dressing style, but the aesthetic inertia formed over the years. People who are accustomed to being chased by the camera are often more likely to be embarrassed in non-commercial situations. It’s not intentional, and it’s not necessarily rude, it’s just that it’s been too long since I switched from “showing myself” back to “respecting the occasion”. This is actually quite realistic, and it’s easy to ignore.

So this discussion doesn’t need to stop at “Why is she dressed like this?” What should be reminded is that clothes never exist alone. They must be viewed together with the occasion, mood, and identity. The true high-level expression is not to put yourself into the most dazzling outfit, but to know when to take away the light. Many people don’t care much about this sense of proportion when they are young. Only when they really meet someone will they realize that “suitability” is more difficult than “stunning”.

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